The World’s Worst Blurbist
November 8, 2011
Every person should know their limitations, and I know mine–I really, really suck at blurbing. I can write 300,000 word tomes, but God help me if I have to sum the damn thing up in 200 words or less. I go blank. I panic.
So here, for good or for ill is the rough back cover marketing blurb for Book V, The Temple of the Exploding Head. I have no idea if it’s any good or not. Thoughts appreciated.
copyright 2011, Ren Garcia
What makes a Monama a Monama?
November 3, 2011
The House of Monama figures prominently in the Temple of the Exploding Head trilogy. Who are the Monamas and what differentiates them from the rest of the League??
This painting of Sam by Fantasio illustrates most of the various physical differences.
HAIR: Monamas have an incredibly thick and fast-growing head of hair that they normally wear down to their ankles. Their hair is invariably coal-black. Aside from their heads, Monamas are quite hairless.
NAILS/CLAWS: Monamas sport a formidable and iron-hard set of fingernails that can hack through a wooden door. Both male and female Monamas wear their nails rather long as they consider their nails a mark of beauty.
EYES: Monamas are well-known for their jet black eyes, including a lack of eye whites.
PALLOR: Monamas are ghastly pale. Living in a perpetual fog by the lake, their skin is often chalk-white in coloration. Those select Monamas that choose to come out of the fog can develop a slight rose tint if they stay in the sun long enough.
BELLYBUTTON: Monamas lack a bellybutton. They find Elder’s belly buttons extremely seductive.
GIFT-LIKE ABILITIES: All Monamas have a number of Gift-like abilities that work when they are touching the ground. When elevated or away from Kana, these abilities vanish. Monamas can “Blink”, or teleport themselves vast distances. They can also transmit their thoughts across the ground and communicate without technology from far away. They also can transform themselves into various humanoid guises–Monama females are much better at it than the males. Monamas also are adept at seeing the future with a high degree of accuracy. Monama males are better at it than the females–female Monamas must partially bury themselves to see the future.
ANUIAN/CONOX: There are two distinct types of Monamas. The most common are the Conox, or “Lesser Monamas” who are rather small and thin of frame, standing on average about 5’2 – 5’5. Much less frequent are the Anuian, or “Greater Monamas” who are significantly bigger, stronger and faster than the Conox, standing about 6 feet tall. Anuians are much more full than the Conox and have markedly different facial features. The Conox, however, appear to be heartier than the Anuians, being a bit less susceptible to cold temperatures and can manage the rigors of space travel much better. The Anuians also require six months in the womb, as opposed to the Conox who require only three.
Anuian Monamas were once very common in the southern lands of Kana, but were said to have been wiped into extinction by a “compelling alien force”. They now only exist in rare birthings amid the Conox, where they must finish their gestation in an “Anuian Jar”, an external womb made of clay and brine.
HEAD SWARM: Monamas tend to fall into a profound, trance-like state when faced with traumatic situations. They call the trance “Head Swarm” and once in it they are difficult if not impossible to revive.
SUSCEPTIBILITY TO COLD: Any temperature below 60 degrees F is quickly fatal to a Monama. Even bundled up, the cold will render them sluggish and eventually kill them. Lady Poe of Blanchefort created a Silver tech pendant called Snugs (with the image of a hummingbird on the face) that creates enough warmth for a Monama to survive in the cold without limit. Take away the pendant, however, and the Monama will be dead within minutes.
STRENGTH/SPEED/ENDURANCE: In comparison to Elders, Monamas are incredibly strong. An average Monama is about ten times stronger than an average Elder, though the Elder Gift of Strength can usually match Monama strength. They also have amazing, jaguar-like speed with the endurance to match.
VULNERABILITY TO SPACE TRAVEL: Monamas do not do well when removed from Kana. Extended trips through space can be quickly fatal to them. They can survive on other worlds, however, they lose most of their gift-like abilities until they are returned to Kana.
LANGUAGES: Monamas speak a group of regional languages spoken nowhere else in the League. The Sisters at one time considered making the speaking of their native Anuie, Conox and Systrel languages illegal due to the fact that the Sisters cannot read the Monamas minds via the Stare, however, more reasonable heads prevailed. The people of Hoban find Monama accents very soothing. Monama bards and storytellers are popular on Hoban.
EVIL NATURE: Although Monamas generally have very kind and modest personalities, they are convinced that they all carry within them a dark spirit of evil that is just waiting to come out. In their ancient writings they speak of the days when they were four-armed and evil and that the Gods in Jade and Sapphire freed them. The prospect of turning into a raging Berserkacide haunts them.
GODS IN JADE AND SAPPHIRE: The Monamas believe the benevolent Gods in Jade and Sapphire removed their ancient evil nature from them, along with their second pair of arms. They also believe they once bore the gods’ children.
SEX DRIVE/FECUNDITY: Monamas are well-known for their libidos and for their fecundity. They can have up to twelve children at a time in only three months. It is said Monamas can become carried away to the point of being dangerous when having sex.
copyright, 2011 Ren Garcia
Carahil and the Library of Time
November 1, 2011
Book V in the Temple of the Exploding Head series begins in a strange place.
Carahil and Mabs (the infamous Cat Goddess of Zall 88) have journeyed to the Library of Time, a distant place where they have heard the story of all beings lives are written out from beginning to end and may be read like a book. Carahil and Mabs are gods (Carahil being a Nargal and Mabs being a Wind-Walker) but they have little knowledge of the intricacies of Time. Mabs is pregnant with their children and they’ve come to the Library to determine how best to raise their children; as gods or as unsuspecting younger folk.At the Library, they meet the Proprietors: a mysterious pair named Fiddler Crow and Queen Wendilnight. They are admitted and allowed to see the story of their lives.
…And Carahil is appalled at what he sees. An Age of Blood where the Gods are gone and an insane evil spirit has lease to do what he pleases leading, eventually, to the end of the Universe. Carahil sees himself framed for crimes he didn’t commit, and then, of all things, he sees himself being eaten alive in a city of Many Forms.
The Proprietors see Carahil’s distress. He asks them if he can do something about this, if he could “fix” this bad future that’s coming. Fiddler Crow tells him it’s not possible to change the future and he will simply have to live with it.
However, Queen Wendilnight takes pity on Carahil and offers to help him in return for their service at a later time. Carahil and Mabs agree, and Queen Wendilnight shows them into the Time Tunnel Room. There, Carahil comes face to face with the time tunnel responsible for creating the bad future: the Temple of the Exploding Head and the Horned God who lives there.
copyright 2011, Ren Garcia and Carol Phillips
Book V Cover design nearly ready
October 17, 2011
At last, the cover for Book V, The Temple of the Exploding Head is complete!!
Now, for the difficult part–lettering the cover. Creating cover lettering is harder than you might at first think. What looks good, what doesn’t, it’s all very complicated. As The Temple is part of a trilogy, we wanted to keep with the style of the two previous books in terms of font, and general positioning.
The problem with Book V, the title is much longer than the others including spaces and letter kerning it takes up a fair amount of room on the cover. The artwork by Carol Phillips is also the most manic and “In Motion” of the three and we want to be careful not to cover up too much of that beautiful art with words–we certainly can’t cover up the Horned God. Finally, you also have to avoid the gutter and tear-off areas of the perimeter as well, further reducing the usable space to put the letters.
My thought was to place the lettering below the Horned God’s hooves, thereby covering up the mosh pit of worshippers. Carol was appalled and fought to keep them uncovered, besides, the other two books had their lettering in the upper quarter of the cover and Book V needed a similar treatment.
Carol Phillips was able to block-in the lettering at the top of the cover, giving it a similar look to the first two books in the series. The coloration for the lettering should be bold, but not garish–something that pops out but doesn’t detract from the cover. I sort of like the “pop” of the red, but also like the somber black.
As usual, I like to hide my name on the front of the cover–it’s a quirk I have–I hate seeing my name on the cover.
copyright 2011, Ren Garcia and Carol Phillips
Thoughts: The day after you finish your manuscript
October 13, 2011
…THE END.
ding
You dot the last sentence and hit the carriage return. Congratulations! You just finished your killer new manuscript. The world has never experienced anything like it and will never be the same again.
So, now what?? That stack of paper in the tray, or that file on your jump drive is just sitting there, mocking you. What to do with your grand new opus, that Monster you’ve been slaving over?? There are many possible answers to that question, and, depending on who you are as a person, the answer will vary. The trials and tribulations of what happens to you and your manuscript the day after you finish could fill a giant-sized book and be made into a number of movies, so this will, no doubt, be the first of several blog posts covering the topic.
First of all, are You a Perpetual??
The first question you’ll need to face as you consider your finished manuscript is: Are you really done??
There are many Perpetuals out there and either you are one yourself or you know someone who is. You know, a Perpetual is someone who is engaged in a never-ending pursuit: that person who’s been in college for fifteen years and is nowhere close to graduating, that person who has been grouting the bathroom forever, or that person who has written a manuscript and is never quite finished. Let’s face it, a manuscript is your baby and it can be tough to let go, couple that with an artist’s tendency to never be satisfied, it’s very easy to fall into a surreal mire of revision, re-thinking, re-editing and re-focusing, until such time that the original vision and purpose of the MS is lost. Some are perpetually “tweaking” and “fine-tuning” their MS and it will never be quite ready for Prime Time. Years pass, no progress is made, it’s just not quite finished.
The Perpetual and their Manuscript shall waltz together until the proverbial music stops, and it’s not going to stop anytime soon, so, for that person, the day after you finish your manuscript is the first day of the rest of your life.
Publishing: The Banana Republic
The next logical course is to attempt to publish your work–it’s only natural, you’ve written something, now you want to share it. The road to publishing is long and difficult and there’s no 1-2-3, step by step method of accomplishing it. Ask any author and they’ll have all sorts of horror stories of how they got put through the wringer prior to being discovered. It’s an inevitable process, and, whether you choose to seek an agent or submit directly to a publisher; it’s basically the same.
First: you need to know who to submit to. Different agents and publishers represent and publish different things, so, if you’ve written a hardcore science fiction tome, you’re not going to want to submit to a Christian, non-fiction publisher of inspirational short stories. Various publications and websites go over who does what, so it’s worth your time to do a little research and target a specific list that is best suited to you.
Next comes the part that has been the bane of many writers everywhere. All agents and publishers have a lengthy list of requirements that you have to follow pretty much to the letter; any deviation, anything added or omitted will lead to your submission being summarily rejected. These people can get pretty detailed in their demands, from the line spacing, to the exact type of font to use, to the word count of the submission. It is a real Banana Republic where they make the rules and you follow them, or else. You know what they say about absolute power corrupting absolutely–well, there’s the proof. They have the power and you don’t. If you don’t like it, complain to the President.
However, as we’ll see, these days there are other ways to get to Heaven that don’t involve going through Christ (But, that’s a different Blog Post).
The Hell of Manuscripts
So, let’s say you jump through all the required hoops and abased yourself as demanded, the final destination of your MS is a withering hell known as the “Slushpile”. Lording over the Slushpile is a demon from college, paid minimum wage (if they’re being paid at all) with girlfriend/boyfriend issues and a monitor sunburn who can barely see straight known as the Slush Editor. It’s the Slush Editor who picks through all MS’s consigned there and determines which will be forwarded on to the real editors for further consideration. Little balls of teenage angst, these editors vent their fury on the MS’s in their charge, tossing them aside willy-nilly as the case might be (Yes–I was a Slush Editor, and Yes my attitude was poor. It actually felt really good having supreme power at a time in my life when I was otherwise powerless, so flushing a manuscript or two really made my day). Just remember, the next time you see some ridiculous person who’s locked themselves out of their car with the engine running, that could be the person who just rejected your MS.
Thus begins the cycle of Submission and Rejection that many authors will face going the traditional route. Almost all MS’s meet their demise in the Slushpile, and almost all will end up there more than just once. Writers on the lecture tour are fond of mentioning that Harry Potter was once on the Slushpile. The truth of the matter is that Harry Potter was probably on a lot of Slushpiles and drowned in the vortex of most of them. It is a real, lottery-winning moment when your MS happens to make it out of the Slush purgatory and into the hands of an editor who loves it as much as you do. But, that’s a rare moment that can take years and lots and lots of rejection letters to get to.
Next, we’ll go over the Promised Land of Self-Publishing, the stigma that comes with it and the Hungry Beast/Chain-Gang of Marketing
Bowl Naked
RG
Thoughts: Never Underestimate Carol Phillips
September 17, 2011
When we began planning the cover art for Book V: The Temple of the Exploding Head, the clear choice of scene was the Temple itself–it was only natural. The Temple is a rotten place, full of noise and death. A carnal orgy and rave has been going on inside the Temple for ages untold without stop or pause, and the Horned God has presided over it all, ever thirsty for more. As I described the scene to Carol, it was a phantasmagoric ride of cages and skulls and torn flesh, a captured Carahil, a demented Sam and a lonely, outnumbered Kay facing it all alone.
The floor of the Temple was to be where the Worshippers of the Horned God hung out. As I described it to Carol, “bad things” were happening there. I’m uninhibited and Carol’s uninhibited as well and she’s game to tackle anything I throw at her. I figured that, given the complexity and size of the area involved, the worshippers would be tiny in the extreme and all the nastiness I described to her would be nothing more than a curious, stick-figure Mosh Pit.
Carol delivered the art to me today. Stick Figure Mosh Pit?? Guess again, Ren …
What I was looking at was a masterpiece of carnal art, horrific and starkly brutal and all completely clear and richly painted. I marveled at it, but, as I took in the details I quickly realized this viscera and sex fest would never fly and would have to be changed. I mean, I’m pretty fearless about these things, but, I need to give my publisher a bit of a break every now and again.
So, the scene has to change. I emailed Carol and we talked. She’s going to obscure the floor of the Temple in writhing fog, offering only an occasional glimpse as to what is happening within. All in all, I think it’ll add to the drama of the scene.
So, let that be a lesson to me. If I can dream it, Carol can paint it bold and proud.
Bowl Naked
RG
copyright, 2011 Ren Garcia and Carol Phillips
New Book Release: Monarch by Michelle Davidson Argyle
September 16, 2011
I thought I’d take a moment to congratulate and praise my good friend Michelle Davidson Argyle on the release of her exciting new book Monarch from Rhemalda Publishing.
Nothing is status quo with Michelle, as we saw in her first novel, Cinders. She took the term “Happily ever After…” and spun it on its ear and determined that “Ever After” is really quite a long time–lots of things can happen “ever after”. You can expect Monarch to be no less innovative, taking the modern mystery and suspense thriller and shining it up to new heights.
Click Here for the full skinny on Monarch, a free first chapter and all the latest on Michelle’s comings and goings.
I know what I’ll be doing this weekend. After I watch the Buckeyes, I’ll be reading Monarch.
Way to go Michelle!!
RG
The Monkey God has determined that the LoE Graphic Novel go through!!
September 9, 2011
At long last, the oft mentioned but seldom seen Issue One of the League of Elder Graphic Novel is nearing completion!!
It took a bit of griping and a pinch of threatening along the way. Recall the mean things I said in previous posts. I said:
“…I’m looking at you, boys, and I’ve got my gun …”
“I’ve a nice vacant lot all picked out where your bodies, belted shut, Hefty-bagged and painted blue, will spend the rest of eternity…”
…but, just look at the results. Daniel Morris and Jon Harvey are rolling away. The Graphic novel with be a four issue conversion of Book I: Sygillis of Metatron.
Daniel speaks:
We’ve had some delays, some avoidable, some not, but seem to finally be hitting a good working pace. We are very excited to see the miniseries progressing, and look forward to seeing it in print. Jon has done some wonderful art for the first book, and I have no doubt he’ll only get better as we progress. We both hope we are doing the original story justice.Look for more on the LoE Graphic Novel soon!
copyright 2011, Ren Garcia
Shadow tech
August 21, 2011
Shadow tech is an arcane substance. It is said to be material from another universe or dimension, filling that dimension like ether. A fairly common substance, it appears as a black, brown or silver semi-solid material, known variously as Implosser (brown), Shadow tech (black) and Silver tech (silver). In all forms it is thick and malleable rather like hot tar. It reacts to the touch of living things. In its brown Implosser form, it is a harmless, inert substance. The black form of Shadow tech is very dangerous due to its toxicity and should not be touched if at all possible. The Silver form is quite lively and beneficial, feeling “fizzy” to the touch.
The Implosser form is its basic, most common state. Strong emotion, such as anger, hatred and pain turn the Implosser to black. Likewise positive emotions such as love and happiness turn it silver.
In all its forms, Shadow tech is very versatile. It can be cast as pure energy, Black Hats have been known to knock down buildings, destroy high-flying vessels and kill whole armies with a mere sweep of their hand. It can also be formed into shapes, into complex machines and into the forms of living beings. Once formed, Shadow tech is very difficult to dispel, with only the Sisterhood of Light able to dispel it with any certainty.

Lady Poe of Blanchefort--a well known Shadow tech Female surrounded by her Silver tech familiars (Carol Phillips)
Most Shadow tech females are located in Xaphan Space. Countess Sygillis of Blanchefort, Lady Poe of Blanchefort, Bethrael of Moane and Duchess Torrijayne of Oyln are known Shadow tech Females in the League.
USES OF SHADOW TECH: Shadow tech Females can manipulate Shadow tech with great skill, using it to perform any number of desired functions.
SHADOW TECH TEMPLES: Shadow tech temples are structures, and sometimes whole cities made of Shadow tech usually found in Xaphan Space. Such places are often covered in illusion and cannot be detected. Being inside a Shadow tech temple can affect one’s well-being and sanity very quickly.
SHADOW TECH MONSTERS/FAMILIARS: Shadow tech monsters are very powerful and nearly impossible to destroy. The best way to defeat a Shadow tech monster is either with more Shadow tech, or by the Sisterhood of Light. Being very complex, it can take a very long time to create a Shadow tech monster. Most practitioners have in their repertoire a monster that they have practiced creating to the point where they may summon one in a matter of seconds, these are known as Shadow tech Familiars.SHADOW TECH TRAPS (StT’s): Shadow tech Traps are very dangerous and persistent menaces. They are very small undetectable bits of Shadow tech that have been pre-programmed to perform any number of nefarious functions. Like a flea or tick, they lie in wait and latch on when an unsuspecting person happens by. An StT can remain attached to a person for years, causing them all manner of grief, or they can simply slay that person at a pre-determined time. The Sisterhood of Light is always on the lookout for StT’s, and never failing to find them in abundance. The island of Bilson-Gorman on Bazz was declared uninhabitable by the Sisters due to the persistence of StTs left there.
RUMBOB: Rumbob is a quantity of Shadow tech mixed with clay or straw or some other type of common material. Rumbob is easily infused with emotions and can influence the emotions of those coming into contact with it.
WHAMIC: Whamic is a form of Shadow tech that may be attached to holomail messages and sent across the skyways. Any person opening the Whamic could find themselves facing sudden death.
copyright 2011 Ren Garcia
TOTEH Characters: Wilhella Cormand-Grande
August 6, 2011
OF ALL THE DOUR AND RATHER DANGEROUS RANKS OF BLACK HATS, WILHELLA CORMAND-GRANDE OF WAAM IS TRULY UNIQUE.
Black Hats can usually be counted on to be rather quiet and unobtrusive, rarely straying from their Shadow tech temples unless called by the Black Abbess. They live in various Xaphan cities, but are never a part of them, like a nest of dangerous wasps that is generally left alone. Such, however, is not the case with Wilhella Cormand-Grande. Known as the “Mad Black Hat of Waam”, she has a definite personality and way about her, she often contradicts the edicts of the Black Abbess and has been known to talk her way out of a fight with the Sisterhood of Light on many occasions. She is a scoundrel, a coward, a hedonist and a harlot-supreme.A lover of the bright lights and social scenes of Waam, Wilhella forces her way into the light of day and demands the people there pay her heed. She contributes frequent editorials and other writings to the local media. When she chooses to exit her temple and walk the streets with her Shadow tech entourage she often leaves a trail of dead chefs and mutilated tailors in her wake. She loves good food and fine clothes … and she loves killing people too.
She inhabits a high-rise temple in Waam-Core. Her temple sits squarely in the center of a busy highway, forcing traffic to go around. She often throws lavish parties at her temple and invites guests from all over to attend. It is not wise to refuse an invitation from the Mad Black Hat of Waam.
Wilhella invented a new type of Shadow tech known as a Whamic. A Whamic is a type of Shadow tech that may be transmitted along the skywaves. It is most often associated with junk e-mail messages that come to life, jump out of the holo screen and attack the opener. She eventually refined Whamic to the point where she could send them via hand-written letters as well, where the ink on the page could come to life and kill.
copyright 2011, Ren Garcia and Eve Ventrue











