February 16, 2012
Now that the Temple Trilogy is out in the world, we continue forward with LoE Book VI: The Sands of the Solar Empire. This is always my favorite time as we knock heads and come up with the design of the book. The manuscript is totally done–finished it about a year and a half ago. Of course as I go through the edited copy I’ll, do doubt, make a few changes here and there, but that’s all minor stuff.
It’s time to get the cover of the book going. The Cover creation goes in a very orderly progression, first from my head, then to Carol Phillips, then to sketch and then to paint.
I thought I’d illustrate the process using Book II, The Hazards of the Old Ones as a template.
First I come up with an idea. I usually have several floating around in my head. I then give them to Carol and I let her pick out the ones she’s most interested in painting (you’ve got to keep your artist empowered and excited). In the case of the Hazards, I took a photo of my favorite idea. My wife standing there represents Lt. Kilos, Tweety is Carahil and my house represents the mountains. Usually my ideas are pretty simple and uncluttered–I leave it to Carol to fill up the composition. Note how I imagined the painting from directly behind the characters.
Carol then comes up with a series of simple sketches which get progressively more detailed until we come up with a final sketch. I give Carol a fair amount of freedom and her final product is almost always much more elaborate than what I had initially dreamed up. Note how Carol has tilted Lt. Kilos and Carahil so that you can see their faces, she also sketched the Mountains much differently than I had envisioned them. That’s part of the creative process–things never quite turn out exactly as you originally thought they would.
At this stage of the process being small comes into its own. We don’t have a legal department or a Board of Executives or a line of editors waiting to throw their two-cents in–we do what feels right without having to get it past a committee. What you eventually see, for good or ill, is exactly how we intended it to be.
This is by far the longest part of the process. Carol Phillips usually takes about two and a half months to complete a cover from end to end. I try to leave her alone during this grueling part of the game, but it’s unbearable sometimes–like waiting for Christmas to roll around. Fortunately, Carol has a lot of patience with me. Note: we always choose to make use of a Wrap Cover, one that goes all the we around from the front, across the spine to the back.
We almost always come up with a few extras that we hadn’t thought of at the outset. I sit there and dream something up, pitch it to Carol and then she adds it in. Often times these Nixies don’t jive with the continuity of the story, but we toss them in anyway because we think they look cool. In this example you can see the reflection of Mabs the Cat Goddess in Carahil’s shiny body. That was a late add-in.
Building the cover is always a labor of love, but the end result is always worth it.
copyright 2012, Ren Garcia and Carol Phillips
February 5, 2012
Book V, “The Temple of the Exploding Head” to finally out and ready to go.
I remember putting the final dot on this series back in 2009. It does seem a long time ago. The trilogy changed several times as I did and re-did certain aspects of the story. This story is full of surprises–even to me, the author. You’d think as I created this situation that I’d be in full control. It never quite works out that way. The story comes from somewhere deep within and manifests itself as images and flashes of color that demand to unfold in a certain way despite what you as the suthor may or may not want.
So, after a fair amount of change and turmoil, I’m very pleased with the final product and here it is out in the world for the first time. It’s sort of like putting your kids on the bus and sending them off to school. You watch it drive off and you wonder … you wonder.
The Temple of the Exploding Head is now available for purchase at Amazon.com. Click Here!!
copyright 2012, Ren Garcia