Ah! The four year odyssey that is the House of Bloodstein books is nearing an end. The second Bloodstein book, LOE Book 11: The House of Bloodstein: Mentralysis is in post production.

Manuscript: Done

Editing: In-Progress

Cover: Done

Cover Lettering: Not Started

Interior Artwork: Collecting

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The House of Bloodstein: Mentralysis,  by Carol Phillips

The cover for Book 11 is a Technicolor dream. I had wanted tons of vibrant color, and Carol Phillips delivered. It super trippy and suitably weird, which I was hoping for. Unlike the previous covers which contain greater or lesser amounts of Nixies (Elements in the portraiture that are either exaggerated  or not “as presented” in the text) this cover, except for one small detail, is pretty much how the scene is presented in the book.

 

BLURB:

Blurbing is my bane, I hate it. Taking a 138 thousand word book and pot-boiling it down to a few-hundred descriptive words is a chore. I recall blurbing Book 1, with its sort of back-and-forth character interaction was almost impossible to properly accomplish.

This book wasn’t too terribly bad:

The House of Bloodstein: MENTRALYSIS

They thought the episode with their cousins to the east, the Bloodsteins, was over, something to laugh about at the grand table in fond nostalgia, but they were wrong. They were so wrong.

And Castle Blanchefort has fallen!

Lord Kabyl has lost everything: his wife, his kin, his family fortune… And his home, once a safe haven, is overrun with enemies seeking his blood.

In what follows, he must join forces with ancient enemies and with people who do not exist. He must treat with sinister, possibly untrustworthy gods and barter away his soul for urgently needed arcane help, or face certain death at the hands of forgotten tyrants and their terrifying machinations from a bygone age.

And, how can a strange science known as Mentralysis, practiced in secret in the hidden places of the League, hold the key to ultimate victory?

What should have been obvious to Lord Kabyl from the start has at last become crystal clear: Foolish is he who dares possess the Ultimate Object, for misery shall be his only reward.

League of Elder Book 11: the House of Bloodstein: Mentralysis will be available Summer 2017 from Loconeal Publishing

copyright 2017, Ren Garcia and Carol Phillips

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STENIBELLE–A MARY-SUE??

January 1, 2017

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Front Cover of LoE Book 9 (artwork by Carol Phillips)

It was bound to happen. Somebody called Stenibelle a Mary Sue.

It’s been over a year since we released  LoE Book 9: Stenibelle. Stenibelle is unique in the LoE series, it’s by far the shortest book of all, ringing in at around 54 thousand words–much shorter than my usual average of 125 thousand (Hey, I write until I’m done, then I stop. I conducted the story I wanted to tell, which happened to be 54k). It’s also the first book in the series told entirely from a female protagonist’s point of view, all of the other stories tend to be  male/female ensembles.

I really don’t like pitting one gender against another, highlighting one while denigrating the other, which seems to often be the case in many books. That approach tends to be extremely polarizing, and, for me, rather annoying. I like Humanist stories featuring positive cooperation and teamwork between the sexes.

 

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The original artwork of Mary Sue accompanying Paula Smith’s  “A Trekkies Tale”

A new term has popped up lately, and, like most things people catch wind of, everybody wants to bust it out and make  bold use of it. The term has gotten batted around the Sociosphere like a piñata. The term in question: Mary Sue, mostly in regards to the character Rey in Star Wars: The Force Awakens.

 

What is a Mary Sue? The term is loosely defined and can mean different things to different people. Mary Sue first came from a piece of parody Star Trek fan fiction by Paula Smith entitled: A Trekkies Tale, where a 15 year old girl named Mary Sue graduates as the youngest person ever from the academy, joins the Enterprise and quickly outperforms Kirk, Spock, McCoy and Scotty,  takes command of the Enterprise, captures Kirk’s heart, out-Vulcans Spock, and dies a hero for which a holiday in her name is remembered ever after.

So, with that in mind, a Mary Sue is:

–A female character who outperforms all other characters in a given platform.

–A female character who has skills and abilities that are out-of-joint with her backstory.

–A female character who exhibits near flawless traits.

With Star Wars: The Force Awakens, the Rey character seems to exhibit all three of these criteria, though her full backstory isn’t known at this point, and, there’s always the wildcard of “The Force” to explain away pretty much everything she does: Rey could just be the greatest Force user …ever. When reading a book or watching a movie, you usually expect the characters you’re watching to grow and change in some way. With a Mary Sue (or as in her male counterpart, the Gary Stu) there’s no room for her to grow–she’s already perfect in every way. Such a character tends to be a product of lazy or just plain bad writing. In any event, such a character tends to be annoying, difficult to relate to and tends to make some people think that the film has a singular Feminist Agenda, and thus the conversation and frequent use of the term “Mary Sue” today when examining strong female characters.

So, back to my original thought–somebody read Book 9 and thinks Stenibelle, the female protagonist of the story, is a Mary Sue. Let’s take a look at the facts and see if that is the case or not.

A Mary Sue is a female character who outperforms all other characters in a given platform.

I honestly can’t see how Stenibelle outperforms anybody in the story. At the beginning Stenibelle is in prison, for failure and malfeasance of command during the Seeker Affair. She was captured in space, clapped in irons, frog-marched off her own ship by Lt. Gwendolyn and thrown in jail. She is saddled with self-doubt, self-loathing, is full of angst, full of self-pity and, though she, as a fully trained Tyrolese Sorceress, has the skills to escape from her imprisonment, she chooses not to as she wishes to hide from her problems.

It takes a monumental amount of tenacity and self-growth to not simply triumph in the end and conquer her personal demons, but to simply survive. Along every step of the way, her skills are put to the test and she fails as often as she succeeds. She also needs timely assistance from her allies around her, otherwise, she might nearly have been either killed or enslaved. Stenibelle does triumph, but it’s no day at the beach.

A Mary Sue is a female character whose skills and abilities are out-of-joint with her backstory.

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The VUNKULA , provided by her benefactor, Hannah-Ben Shurlamp, is one of Stenibelle’s most trusty weapons

Stenibelle has quite a few abilities that a common person about the League probably does not have, but, these abilities are all consistent with her backstory. She has the exact same training as Paymaster Stenstrom, thus, she was trained for nine years by her mother, Lady Jubilee of Tyrol, in the ways of Tyrol Sorcery. As such, she is able to Fade into the Shadows, essentially, to  turn invisible. She is highly skilled at picking various types of locks. She is a skilled herbalist and chemist, well-versed at creating and using Holystones for a variety of effects and can conjure them at will out of thin air, along with her deadly MARZABLE throwing daggers. Stenibelle is also highly proficient at using the VUNKULA of the House of Grenville, which is a powerful weapon she makes use of quite a bit. A former lover, Lord Geryron of Grenville, taught her how to use it.

 

Given all that, nothing Stenibelle does in the  story is out-of-the-blue or unexpected and is perfectly in-line with her background and training.

And finally:

A Mary Sue is a female character who exhibits near flawless traits.

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An unused piece of concept artwork, by Carol Phillips 

Essentially, this point means the character in question is nigh invincible, needs no help, and has no defects. As I mentioned before, Stenibelle is far from flawless. She is highly skilled, but is hampered by considerable self-doubt and inexperience that must be dealt with during the course of the story. She is crippled mentally and spiritually by past failures, and she needs lots of help along the way to discover herself, clinging to her friends, Lord A-Ram and Lady Alesta, for strength and guidance, and to her benefactor Hannah-Ben Shurlamp for financing and the exotic tools she needs for success. Even Bunged Up into a ruthless, heartless person by over-reliance on bolabungs, Stenibelle loses a brief fight with Lady Alesta–who is a monk, a Pilgrim of Merian. By the end of the story, Stenibelle discovers her confidence and her courage to become a truly formidable and seasoned adventurer, but it takes a long time and a lot of assistance to get her to that point.

 

So, given all of that, I’m not certain what story that person read to come up with the notion that Stenibelle is a Mary Sue. Perhaps he didn’t properly understand the term and simply busted it out in a review to sound current.

Who knows.

Stenibelle is a fully-developed human character exhibiting all the flaws, weaknesses, foibles, skills, potential, endurance and capacity for self-growth that we all have … she just happens to be a girl.

Bowl Naked
copyright 2017, Ren Garcia, Eve Ventrue and Carol Phillips